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Adaptive music, in practice
Technique, Wwise/FMOD alternative comparisons, AI composition notes, and what we learn building game audio without middleware.
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Chamber Music: The Most Intimate Form in Classical Music
Chamber music — small ensembles in small rooms — has produced some of Western art's most profound music. Here's its history and what sets it apart from orchestral music.
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Comping: The Art of Not Playing Too Much
Jazz piano comping is one of music's most nuanced skills — knowing when to play, what to voice, and crucially, when to leave silence for the soloist.
Autumn Walk: Composition Notes for a Bb Major Swing Piece
How the Mowjera Autumn Walk was built — the harmonic choices, the walking bass strategy, and why Bb major is the natural home of medium-swing jazz.
Shell Voicings: Why Jazz Pianists Only Play Two Notes
Jazz chord voicings often leave out the root and fifth entirely, keeping only the 3rd and 7th. These 'guide tones' carry the full harmonic information of the chord in two notes.
New Age Piano: The Japanese Tradition from Hiroshi Yoshimura to Kiraro
Japan developed one of the world's most distinctive New Age piano traditions — introspective, nature-obsessed, and technically humble in the best possible way. Here's where it came from.
Crystal Morning: Composing a Kiraro-Style Piano Piece from Scratch
A walk through every compositional decision in Crystal Morning — from key selection to the peak moment at G5, and why the piece ends on a held C instead of a cadential figure.
Cloud Dreamer: Why Bb Major Sounds Different from C Major
Key color — the idea that different keys have different emotional characters — is both real and contested. Here's what Bb major does that C major can't, and why Cloud Dreamer needed it.
The Arpeggio as Meditation: Why the Left Hand Makes New Age Piano Work
In Kiraro's music, the right hand sings and the left hand breathes. The arpeggio pattern — root, third, fifth, octave — is not decoration. It's the reason the music feels the way it does.
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