Cinematic electronic song mode piece in the Kitaro/Vangelis tradition — real sampled flute over a sequenced analog bass pulse (the bass track holds Dm/Bb/F/C chord dyads with the arpeggiator turned on, the same 'held chord becomes a sequencer line' trick those scores are built on), CS-80-style brass swells in Dawn/Pulse, and a real sampled French horn taking over the swell in the Ascent climax before Pulse and a long Fade close it out.
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solo_sessions
Standalone songs, not game scores — solo piano, cinematic electronic and jazz pieces composed in Mowjera's song mode.
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